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Prince William and the murder of his mother, Princess Diana:

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Daanyeer
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Prince William and the murder of his mother, Princess Diana:

Postby Daanyeer » Fri Aug 31, 2007 10:38 am

Prince William and the murder of his mother, Princess Diana: a premiere, six years later, Aug 2007

Source: princess-diana-murder.blogspot.com
August 27, 2007 Author: Matt Marriott


For the very first time the public watching the illuminati media (in this case ZDF, the second channel of the german state TV) had the chance to hear about the fact that Prince William refused to be king, in 2001, and he has never changed his mind ever since. The film was a masterpiece of how to escape the illuminati censorship. The author was... Guido Knopp, of course. Worldwide, the only Historian of Illuminati End Times in the illuminati mass media (3).
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Why did the illuminati reveal the details about the murder of Princess Diana
The picture of the puzzle of the death of Diana was exposed long ago by Matt Marriott. In the last years, the murderers of Diana gradually revealed the details about how did they murder the Princess of Wales.
The June 2007 TV premiere at UK Channel 4 of "Diana: The Witnesses In The Tunnel" marks the end of the revelations about Diana, the last details about how good the plot worked.
Like in the case of 9/11, the primary reason why the conspirators kept disclosing the truth to the masses was to terrorize them. Another reason: the illuminati religion requires that during the last act, which we have been living since 1988, the sheep, despite being aware that they are going to be slaughtered, will fail to react. Required as the ultimate proof of total dominance over the "human cattle".

How was it possible?
Acceptance of the mark was the pre-condition for revealing the last details
The immediate reason why it was possible to reach these utter limits: in the last years the illuminati lead the masses into accepting the mark of the beast.
This was sealed, in 2004, as almost all the populace in the US and EU accepted to carry the mark of the beast in their forehead or in their right hand. So the illuminati know their sheep will not react, until they will be slaughtered.
The illuminati know that their sheep will not react, no matter how clearly they will tell them what really happened, as long as it will be packaged with the official version, i.e. as long as it will end with "nothing to see here, folks", i.e. "there was no conspiracy". The total contradiction between the facts and the conclusion presented, the foundation of the mind control technique of cognitive dissonance. (a)

The "evil photographers" vs. "Bin Laden" and the suicide terrorists - the perfect scapegoat served by illuminati media in the first minutes
Four years after Diana was murdered, the 9/11 plot had the "suicide muslim terrorists" and the "Bin Laden" CIA creation that had been previously planted on a daily basis in the news as the perfect scapegoat, to be served immediately after the event.
In the Lady Di murder script, the "evil photographers" played the same role. That was the truly genious detail in the plot. No wonder that in the beginning, also Mohamed Al Fayed swallowed the hoax.
In documentary film "Diana: The Witnesses In The Tunnel" the conspirators reveal more details about how arresting and accusing the photographers was planned to divert from the real murderers and to advance the terror and censorship agendas required by the transition to the terror state.
This is done by letting finally the seven french paparazzi, who were trapped by the police in the tunnel, finally report in detail how they were arrested, despite all the witnesses, including a large group of students, testifying that they arrived at the scene only minutes later.
"In the immediate aftermath of Diana’s death, a spokesman for the French Interior Ministry insinuated that six French photographers and a photographer’s driver following her car were the cause of the crash. In the documentary, the photographers described how the French police carted them off on the night as if they were automatic suspects just for being there. These events weren’t the only cause of the post-Diana culture of blame-the-photographer, but they helped feed a hysterical reaction." (1)
Minutes after BBC & Co. interrupted their normal boadcasting to report the "accident". Even before the death of Diana was announced, they were already insinuating that the papparazi were to blame. Just like at 9/11: while people were jumping off the WTC towers, CNN & Co. were already repeating the Bin Laden formula.

The terror agenda
The stage was perfectly set to have the masses accepting falsely accused photographers, detained and terrorized by the police for weeks, being given no chances to defend themselves in the media, which portrayed them as guilty beyond any doubts, all of this despite NO evidence. Better said, despite ALL the evidence that they were innocent.
In the documentary film "Diana: The Witnesses In The Tunnel" the conspirators reveal more details about the link between falsely accusing the photographers and advancing the terror and censorship agendas required by the transition to the terror state.
"Shockingly, the French photographers were strip-searched, forced to stand naked in front of all the police and held for two days in cells which were impossible to lie down and sleep in. They faced five years in prison for manslaughter and non-assistance to persons in danger. The French authorities seized 20 rolls of film (which could have helped prove their innocence right at the start) and have never returned them." (1)

No photos or "we are in total control"
In the 9/11 oiperation the footage of the conventional demolition of WTC7 (just like the footage of the Pentagon) is the only piece of evidence required to prove immediately the conspiracy.
In the murder of Diana, the photos of a slightly injured princess is the only piece of evidence required to prove immediately the conspiracy.
Some photographers managed to escape out of the tunnel before the rest of the photographers were arrested and all material apprehended. The documentary gives the message that "we are in total control", by showing how it was possible to prevent until now any publishing in the mass media of Diana photos after the accident, which these photographers possessed.
"A news blackout was imposed on the night and the managers of photo agencies were told that they faced three years in prison and a £30,000 fine if they sold any photos of the event. The finger of blame was pointed firmly at the messenger, at those who recorded the event or who were simply present at it." (1)

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